Christopher Sainsbury - Winner Apra Art Music National Luminary Award (Individual) 2020, for his work in and through the Ngarra-burria First Peoples Composers program, which has impacted the Australian new music sector in 5 short years. https://apraamcos.com.au/news/2020/september/winners-of-the-2020-art-music-awards-announced/
(Leading First Peoples Performing Arts Producer and Bunuba man Fred Copperwaite).
The Ngarra-burria program (and composers) are proud to be an integral part of the Sydney Living Museums recent win at the Museums and National Galleries Awards 2020 for the Songs of Home exhibition 2019. See: https://www.amaga.org.au/magna-2020
Ngarra-burria means 'to listen to sing' in the Sydney language (Dharug/Eora). As a composer descending from the Indigenous people of the region of Sydney and the Central Coast (to the north), and as a previous Head of Dept at the Eora Centre I noted the need for a mechanism to support developing and emerging Australian Indigenous composers and to connect them to industry. This program is the result. We're not new, just previously unheard.
(Composers dinner in 2017, with guest Bunna Lawrie in front)
The composers and the partners
We started in 2015/2016. Mentors include Kevin Hunt, Kim Cunio, Jessica Wells and myself. Participating composers include some of the best Indigenous musicians in the east - Troy Russell, Brenda Gifford, Elizabeth Sheppard, Rhyan Clapham (Dobby), Tim Gray, Nardi Simpson, Eric Avery, Will Kepa, Marlene Cummins and James Henry. The music is varied in style, full of cultural expression, and engaging. Several of our composers are now receiving commissions from major ensembles and organisations including Ensemble Offspring, the Sydney Philharmonia Choirs, Sydney Living Museums, the Sydney Symphony Orchestra, various residencies and more. (See list below).
The major cultural partner and advisor is Moogahlin Performing Arts, Sydney. The program is based at the School of Music Australian National University Canberra, and other partners ensuring the success of the program include Ensemble Offspring, the Australian Music Centre, the Eora Centre, Stephen Adams and ABC Classic, and more recently the Royal Australian Navy Band.
See links for information and to hear sounds:
Hear Ngarra-burria composers (music and interviews)
The Music Show with Andrew Ford.
ABC Classic (Stephen Adams producing) Nov 30, 2018.
Ngarra-burria: New Music and the Search for An Australian Sound
Download the 2019 paper/book Ngarra-burria: New Music and the Search for an Australian Sound. This is from Currency House's Platform Paper series, and leads in rigorous debate around issues in the visual and performing arts in Australia. The focus is on Indigenous composers and their position in the Australian classical and new music scenes - being a position of reclaiming space from many non-Indigenous composers who had at times assumed Indigenous culture for their own purposes, and finding a platform to express current Indigenous narratives through new music and own the cultural agency in that. It is necessarily political, yet is respectful in tone towards all. See https://currencyhouse.org.au/node/279
The Ngarra-burria composer mentoring program and now the paper/book have proven to have had a major impact on our classical and new music industry: including our commissioners and funding agencies, our composers, concert programmers, broadcasters, performing arts and music organisations, major ensembles and choirs in Australia, music education in schools, musicologists, and more. Simply, Indigenous composers are now being commissioned, programmed, performed and broadcast, whereas previously apart from one or two they were not a concern of the industry, overlooked, not factored in and not fostered or developed. This signals that our industry has changed, being embracing of a welcome and relevant Indigenous-led cultural shift and re-calibration of music practice, and not just pertaining to one-off collaborations with Indigenous musicians. Many of our leading music organisations are now involved in long-term relationships with Indigenous composers. This is a turnaround. The industry now understands the previous abuses, its obligations to Indigenous composers now, and the cultural wealth for all in funding and programming Indigenous composers. There is still work to be done but the change is well underway. "It's more than a shift in style or sound, it's an Indigenous-led change to the Australian classical and new music sectors that enriches us all." (First Peoples Performing Arts Producer Fred Copperwaite). It's yielding some significant pieces.
"Sainsbury's recently launched Platform Paper for Currency House publishers is essential reading for Australian composers, performers, and programmers, not to mention critics." (Angus McPherson in Limelight 6 May 2019)
Now, we as Indigenous composers determine our own narratives in concert. What themes are the Ngarra-burria composers exploring? Essentially new expressions of old cultures, also current political narratives, nature and relationship to land, Indigenous language reclamation, and just plain music for music sake! See the video and radio links, also the Australian Music Centre Echo education link. Yes, high school kids around the country are listening to and studying what these composers are doing! http://echo.australianmusiccentre.com.au/#lm-9
Canberra Times on Ngarra-burria First Peoples Composers program April 2019: https://www.canberratimes.com.au/story/6087492/new-music-from-indigenous-composers/
The Conversation article on Sainsbury’s paper published by Currency House Ngarra-burria New Music and the Search for an Australian Sound April 2019: https://theconversation.com/its-time-to-properly-acknowledge-and-celebrate-indigenous-composers-115839
Esteemed musicologist and concert reviewer/critic Professor Malcolm Gillies on Sainsbury’s Bark of the ‘bidgee premiere in May 2019. See Resonate magazine. This article includes commentary on the Ngarra-burria book: https://www.australianmusiccentre.com.au/article/christopher-sainsbury-bark-of-the-bidgee-2019
Ngarra-burria composers recent commissions
Rhyan won the CreateNSW Peter Sculthorpe Fellowship (2018-19). And our composers have recently been commissioned by such as:
* The Canberra International Music Festival with the Australian Art Orchestra (Brenda)
* The Canberra International Music Festival (Rhyan)
* Blacktown Arts Centre (Troy)
* Ensemble Offspring (Brenda, Nardi and Rhyan)
* Sydney Philharmonia Choirs (Nardi, Troy, James and Elizabeth)
* Sydney Symphony Orchestra SSO (James and Brenda)
* Griffyn Ensemble ACT (Brenda)
* Parramatta City Council (Elizabeth)
* Four Winds Festival (Brenda)
* Songs of Home exhbition - Sydney Living Museums with the Royal Australian Navy Band (Tim, Troy, Brenda, Nardi and Elizabeth). Winner of a major Museums and National Galleries Award 2020. It's great for us to be an integral part of it!
* Opera House Children's Proms (Brenda)
* Moogahlin Performing Arts (Brenda and Tim)
* Canberra Symphony Orchestra Australian Series (Rhyan)
* The National Capitol Authority and the National Carillon (Brenda and Tim)
* Pianist Scott Davie with the ABC (Nardi, Rhyan, Elizabeth and Tim)
* Sydney Dance Company (Brenda)
* RAAF Band Melbourne (James) for 2021.
* Symphony Central Coast (James) for 2021.
The composers have received performances and broadcasts by more including:
* Royal Australian Navy Band (Eric, Nardi, James)
* ABC Classic (all)
* Ensemble Offspring and the Baiame's Ngunnhu Festival Brewarrina (Troy, Tim, Elizabeth, Brenda and Rhyan)
In addition James has been working independently with Ilbidjerri Theatre Company, Urban Theatre Projects, and Melbourne Festival.
Will Kepa is an independently commissioned film music composer. See Blue Water Empire trailer at: https://www.facebook.com/watch/?v=1402032059965399
We've recently met the MSO to plan 'writing for string orchestra' mentoring sessions.
There is interest form major choirs and soloists from the USA and Britain.