Sainsburymusic

The 'higher listening grounds'

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41 School St
Kincumber 2251
New South Wales  Australia
Tel 0431 822322
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Chris Sainsbury is the quintessential Australian composer. His music depicts something of the larger Australian persona from bushman to academic, and from surfer to artist. It's natural for him! This is apparent in his 'coastal-scrub' songs, odd song cycles, a variety of instrumental solos, the 'fishy' string quartets, casual 'swipes' at orchestra, the substantial Symphony of the Birds, and a couple of concertos including the Concerto for Guitar - The Luthier ("ingenious" - Gilbert Biberian; and, "a fantastic concerto" - Adrian Walter).

He has enjoyed commissions and performances by the Australian Chamber Orchestra under Carl Pini and also under Richard Tognetti; from esteemed theatre director Noel Tovey - the acclaimed Mudrooroo-Muller play 'Aboriginal Protestors' (Performance Space Production for the Sydney and Weimar Festivals); with the Darwin International Guitar Festival - where Spanish virtuoso Jose Maria Gallardo del Rey premiered his Concerto for Guitar; and from the wild contemporary music Duo Bosgraaf-Elias (Holland) for their Around the Globe Project. Sainsbury has enjoyed features in festivals and events in Germany, Belgium, Holland, Estonia, Finland and Sweden. "The opportunities that arise are so random", he says.

Currently he is working on a Concerto for Cor Anglais - Bloody Big Fire for Sydney soloist Rachel Tolmie and the Central Coast Concertante, for 2009. In this work the orchestra takes the role of bush-fire and the soloist is the back-burn.

On the philosophical side, Sainsbury stimulates our thinking through his concept of the 'Listening Grounds'. This is contrasted by the hilarious Tropical Harmony for Alpine Frets, a new approach to harmony for guitarists.

Chris playin'.jpg

Sainsbury is a leader in the field of new developments in notation, including the notation of Sonic Art works. In this vein he has conceived several pieces where the performance or installation results in a musical score. "Turning things around like this helps us to 're-hear' music in new ways", he says.

Sainsbury is a private family man. He is a proudly self-reliant composer, preferring to work independent of government funding agencies and other circuses, and says "I have a life in music, rather than a career in music".

To view scores or hear samples visit Sounds and Scores here.  

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